Ring-Giver, hoard-guardian: two world-views in "Beowulf"
págs. 9-17
págs. 19-33
"The battle of Maldon" and the "Poem of the Mio Cid": some analogies in style
págs. 35-41
Alas! Alas! Unhappy Wife of Bath: a close reading of the Wife of Bath's prologue
págs. 43-53
págs. 55-76
págs. 77-91
Revival of the Robin Hood legend: the medieval ballads and the film adaptations
págs. 93-102
Wild men in the Middle Ages: some instances in the works of Chretien de Troyes, the Gawain Poet, and Miguel de Cervantes
págs. 103-112
págs. 113-124
págs. 125-141
págs. 143-152
págs. 153-163
Oral-literate continuum: an initial approach
págs. 165-174
págs. 175-182
págs. 183-192
The study of English subject clauses from a diachronic point of view: a preliminary approach
págs. 193-201
págs. 203-211
págs. 213-221
The clerk's tale: Griselda's virtue as both disruptive and necessary
págs. 223-231
Medieval influence on posterior work: speculation on grammar and linguistics
págs. 233-239
págs. 241-256
"The dream of the rood" and Cyn(e)wulf
Louis J. Rodrigues
págs. 257-263
págs. 265-271
págs. 273-283
págs. 285-292
The contradictions of Madame Eglantyne: why she would become a nun
págs. 293-303
págs. 305-313
A wayle whyt ase whalles bon: "a beauty white as whale's bone"
págs. 315-318
págs. 319-323
The British Arthurian tradition and its Celtic origins: three characters transformed
págs. 325-336
© 2001-2024 Fundación Dialnet · Todos los derechos reservados