Ha sido reseñado en:
Zer: Revista de estudios de comunicación = Komunikazio ikasketen aldizkaria, ISSN-e 1137-1102, Vol. 20, Nº. 39, 2015, págs. 263-265
(Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema Duncan Wheeler y Fernando Canet (eds.): Bristol : Intellect, 2014. 420 páginas.
Secuencias: Revista de historia del cine, ISSN 1134-6795, Nº 43-44, 2016, págs. 190-193
Formulated around a number of key thematic concerns—new creative trends; the politics and practices of memory; auteurship, genre, and stardom in a transnational age—this reassessment of contemporary Spanish cinema from 1992 to 2012 brings leading academics from a broad range of disciplinary and geographical backgrounds into dialogue with critically and commercially successful practitioners to suggest the need to redefine the parameters of one of the world’s most creative national cinemas. This volume will appeal not only to students and scholars of Spanish film, but also to anyone with an interest in contemporary world cinema.
Introduction: How and Why This Book Came into Being
págs. 1-6
Spanish Films, 1992-2012: Two Decades of Cinematic Production and Critical Discourse
págs. 7-34
págs. 35-56
Section introduction: Sense and Sensibility: New Forms of Being and Seeing in Recent SpanishCinema
págs. 57-64
págs. 65-78
págs. 79-92
Behind the Enigma Construct: A Certain Trend in Spanish Cinema
págs. 93-104
Reproduction and Rhetorical Processes in the Construction of Reality: En Construccion and La leyenda del tiempo as Case Studies
págs. 105-118
Art and Ethnography: Miquel Barcelo and Isaki Acosta - Earth Magicians?
págs. 119-131
The Everyday Affect: Isabel Coixet and the Five Senses
págs. 131-144
Section introduction: Revisiting the Past: The Politics of Memory and the Transition's Cinematic Legacy
págs. 145-152
págs. 153-164
Victimhood in Contemporary Spanish Documentary: The Politics of Agency in Jaime Camino's La vieja memoria and Los ninos de Rusia
págs. 165-176
New Bodies, New Sounds: Rediscovering the Eroticism of the Transition
págs. 177-190
Blood and Unfulfilled Promises: Representations of Terrorism and the Transition
págs. 191-204
Back to the Future: Repackaging Spain's Troublesome Past for Local and Global Audiences
págs. 205-234
Clowns, Goats, Music and the Comedic Violent: Late Francoism and the Transition to Democracy in Alex de la Iglesia's Films
págs. 235-248
Section introduction: Redefining Auteurship, Genre and Stardom in a Transnational Age
págs. 249-258
págs. 259-270
Acting and Directing in Spain: Historicizing Stardom and the Author Function
págs. 271-290
Sex, Art and Commerce: Penelope Cruz and Isabel Coixet Tackle Philip Roth in Elegy
págs. 291-310
Deadly Hybridity: Sexykiller, the Female Serial Killer and the New Spanish Horror Film
págs. 311-322
Flexing Generic Boundaries: Torrente, [REC] and Adolescent Cinema in Spain
págs. 323-334
The Torrente Tetralogy: A Homegrown Saga
págs. 335-350
Hybrid Models: Auteurism and Genre in Contemporary Spanish Crime Thrillers
págs. 351-365
Planet 51 and Spanish Animation: The Risks and Attractions of Globalization
María Soler Campillo, Marta Martín Núñez, José Javier Marzal Felici
págs. 365-376
págs. 379-388
págs. 389-404
San Sebastian: A Film Festival of Contrasts
págs. 405-418
The Art Director as Architect: The Reconstruction of Deconstructed Memories
págs. 419-430
The Films of Isaki Lacuesta: Hidden Portraits, Multiple Lives
págs. 431-440
Color perro que huye: An Audio-visual Prosumer versus the Institutional Cinematic Model
págs. 441-452
New Tendencies in Contemporary Cinema: Round Table Discussion with Jose Luis Guerin, Isaki Lacuesta and Luis Minarro
págs. 453-470
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