Publication: La música de los iqeroayen del Rif (Marruecos)
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2016-06-22
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Universidad Complutense de Madrid
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Abstract
El cúmulo de experiencias musicales vividas a lo largo de más de diez años de convivencia con la cultura bereber es el que ha despertado mi interés por abordar una investigación sobre la música de la población de la región de Guelaya en el Rif (Marruecos). He percibido la música de este grupo étnico desde diferentes perspectivas: inicialmente como invitado a sus diferentes festividades y después como etnomusicólogo, lo que me ha posibilitado adentrarme a lo largo de todo este tiempo en el conocimiento de su corpus musical. No existen antecedentes que aborden el estudio de la música rifeña en la región de Guelaya. Esta tesis doctoral, es el primer acercamiento desde el punto de vista científico a la música del Rif a partir del estudio del corpus musical de una de sus regiones. Sigue siendo un aspecto de difícil definición por los diferentes enfoques que lo abordan, la conceptualización de “Amazige (bereber), como grupo étnico-cultural, para ello, son utilizadas como fuentes documentales, los estudios sobre la prehistoria e historia antigua del norte África desde las dos perspectivas reconocidas en la actualidad, la árabe y la occidental. Con tal información es posible construir el marco histórico-geográfico y cultural del mundo bereber e insertar en él las particularidades de nuestro objeto de estudio. Como objeto de estudio para esta tesis doctoral: la música de los iqeroayen es aquella que se canta en lengua tamazight (bereber) dialecto tarifit y es ejecutada por la comunidad o por los músicos semiprofesionales tradicionales...
I have a set of musical experiences over more than ten years of living with berber culture this has awakened the interest in addressing research on Rif music of the Guelaya región (Morocco) in north africa. I have had the opportunity to perceive the music of this cultural ethnic group from different perspectives: initially as a guest to their different festivities and then as ethnomusicologist making it possible to know much of his musical corpus. There is no precedent of Rif music studies in Guelaya regions. This doctoral thesis is thus the first approach from a scientific point of view to the Rif music, and the study of the musical corpus of one of their regions. Is difficult to define the conceptual uniqueness of what today is called ethnic-cultural group as berber or tamazight. For it are used studies of prehistory and early history of North Africa since the two recognized prospects today, Arab and Western, as documentary sources. With such information it is possible to build the historicalgeographical and cultural context of the berber world and inserting in it the characteristics of our object of study. For this doctoral thesis: the music of the iqeroayen; is that which is sung in tamazight (berber) tarifit dialect and executed by members of the community or traditional semiprofessional musicians. The priority for samples collected has been given to older age people, with this it comes safeguard an musical heritage for the social and economic changes taking place in the area, and the natural disappearance of the older population tends to dieback...
I have a set of musical experiences over more than ten years of living with berber culture this has awakened the interest in addressing research on Rif music of the Guelaya región (Morocco) in north africa. I have had the opportunity to perceive the music of this cultural ethnic group from different perspectives: initially as a guest to their different festivities and then as ethnomusicologist making it possible to know much of his musical corpus. There is no precedent of Rif music studies in Guelaya regions. This doctoral thesis is thus the first approach from a scientific point of view to the Rif music, and the study of the musical corpus of one of their regions. Is difficult to define the conceptual uniqueness of what today is called ethnic-cultural group as berber or tamazight. For it are used studies of prehistory and early history of North Africa since the two recognized prospects today, Arab and Western, as documentary sources. With such information it is possible to build the historicalgeographical and cultural context of the berber world and inserting in it the characteristics of our object of study. For this doctoral thesis: the music of the iqeroayen; is that which is sung in tamazight (berber) tarifit dialect and executed by members of the community or traditional semiprofessional musicians. The priority for samples collected has been given to older age people, with this it comes safeguard an musical heritage for the social and economic changes taking place in the area, and the natural disappearance of the older population tends to dieback...
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Geografía e Historia, leída el 13-01-2016