Le solo imprévu : l?atelier d?improvisation comme lieu d?échanges entre cultures d?audition
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2021
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Abstract
Starting from sociologist Anne-Marie Green?s idea of ?common space?, and from Hans Robert Hauss? reception theory, the improvisation workshop is thought to be a way of transforming the practices of reception, in order to modify the nature of the culture of listening of each listener. Four research axis are, then, proposed, from the validation of the personal experience of the participants to the reception of the instant?s surprise as a factor of education, including the research of communicational tools specific to reception of music, capable of captivating the listeners with the original aspects of the unknown musical territories.
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2386-8260 13268 Itamar
revista de investigación musical: territorios para el arte 590908 2021 7 8182064 Le solo imprévu : l?atelier d?improvisation comme lieu d?échanges entre cultures d?audition Dutra
Arthur Starting from sociologist Anne-Marie Green?s idea of ?common space?
and from Hans Robert Hauss? reception theory
the improvisation workshop is thought to be a way of transforming the practices of reception
in order to modify the nature of the culture of listening of each listener. Four research axis are
then
proposed
from the validation of the personal experience of the participants to the reception of the instant?s surprise as a factor of education
including the research of communicational tools specific to reception of music
capable of captivating the listeners with the original aspects of the unknown musical territories. 165 186
revista de investigación musical: territorios para el arte 590908 2021 7 8182064 Le solo imprévu : l?atelier d?improvisation comme lieu d?échanges entre cultures d?audition Dutra
Arthur Starting from sociologist Anne-Marie Green?s idea of ?common space?
and from Hans Robert Hauss? reception theory
the improvisation workshop is thought to be a way of transforming the practices of reception
in order to modify the nature of the culture of listening of each listener. Four research axis are
then
proposed
from the validation of the personal experience of the participants to the reception of the instant?s surprise as a factor of education
including the research of communicational tools specific to reception of music
capable of captivating the listeners with the original aspects of the unknown musical territories. 165 186
Bibliographic reference
Dutra, Arthur. Le solo imprévu : l?atelier d?improvisation comme lieu d?échanges entre cultures d?audition. En: Itamar, revista de investigación musical: territorios para el arte, 7 2021: 165-186