Judith Sargent Murray Triumphant: The medium as Rational Entertaiment
págs. 1-18
págs. 19-34
págs. 35-52
Intracultural Communication in African American Drama: From Pre-Emancipation to Early Twentieh Century
págs. 53-70
Elsie´s Big Show: From Entertaining under Fire to firing Stories in All Directions
págs. 71-84
Sex Machines: Futurism and Modernity in American Expressionist
págs. 85-100
Triangular Transgressions: Tennessee William´s The Purification´s Debt to Federico García Lorca´s Blood Wedding
págs. 101-114
Under House Arrest: The Family in American Drama
págs. 115-124
Arthur Miller´s Plays Seen from a Feminist Perspective: Was Miller Sexist?
págs. 125-140
págs. 141-150
Cancer on the American Popular Stage: Playing to a Sold Out House
págs. 151-170
If These Walls Could Talk: Performing Histories in the Works of Suzan-Lori Parks
págs. 171-192
Freeing the Narrative: Interdisciplinary Methods for Exploring American Identity in La Chiusa´s The Wild Party (2006) and Kander and Ebb´s Curtains (2000)
págs. 193-212
págs. 213-230
Love Triangles and Tringular Loves: A Home fo Three in Sarah Ruhl´s In the Next Room or the Vibrator Play
págs. 231-248
págs. 249-252
págs. 253-282
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