Información General

• Autores: Juan José Carreras López, Bernardo José García García
• Editores: Suffolk : Boydell Press, 2005
• Año de publicación: 2005
• País: Reino Unido
• Idioma: inglés
• ISBN: 1843831392
• Texto completo no disponible (Saber más ...)

Resumen

• English version edited by Tess Knighton The royal chapel, in Europe as a whole and in Spain in particular, was a cultural institution where court ceremonial, politics, music and the arts were brought together in terms of space and function. The ramifications for the patronage and cultivation of the arts and the dynamic between music and the arts and the concept of kingship form the focus of the text.The phenomenon of groupings of singers, chaplains and musicians at the service of the different European monarchies is of great significance both for the history of music, and the political and cultural history of the court in general. The royal chapel established by Philip II in Madrid was the central religious and musical institution of royal power until well into the eighteenth century, and using this as a focus, the essays in this richly illustrated volume offer a series of different perspectives on the development of the main court chapels of Europe. These papers were delivered at the international seminar, 'La Real Capilla de Palacio en la época de los Austrias', under the auspices of the Fundación Carlos de Amberes, Madrid from 14 to 16 December, 2000.The volume is edited by Tess Knighton, Juan José Carreras and Bernardo García García, and translated by Yolanda Acker.

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Listado de artículos

• • Introduction

    Bernardo José García García

    págs. 1-7

    

  • The court chapel: a musical profile and the historiographical context of an institution

    Juan José Carreras López

    págs. 8-22

    

  • The English royal chapel: models and perspectives

    Andrew Wathey

    págs. 23-28

    

  • Rites of passage: music, ceremony and dynasty in Renaissance Florence and Venice

    Iain Fenlon

    págs. 29-39

    

  • The institution of the imperial court chapel from Maximilian I to Charles VI

    Herbert Seifert

    págs. 40-47

    

  • The Chapelle Royale in the time of Louis XIV

    Catherine Massip

    págs. 48-64

    

  • 'Foreign' music and musicians in sixteenth-century Spain

    Emilio Ros-Fabregas

    págs. 65-84

    

  • A meeting of chapels: Toledo, 1502

    Tess Knighton

    págs. 85-102

    

  • Musical relations between the court and the collegiate chapels in the Netherlands, 1450-1560

    Eugeen Schreurs

    págs. 103-120

    

  • Nicolas Payen, an unknown chapelmaster of Charles V and Philip II

    Ignace Bossuyt

    págs. 121-134

    

  • The form and fuction of the music chapel at the court of Philip II

    Luis Robledo Estaire

    págs. 135-143

    

  • Processions to the 'City of Dead': the Spanish royal chapel and an anonymous requiem from El Escorial

    Michael Noone

    págs. 144-161

    

  • The royal chapel in the etiquettes of the viceregal court of Naples during the eighteenth century

    Dinko Fabris

    págs. 162-172

    

  • The musicians of the Spanish royal chapel and court entertainments, 1590-1648

    Louise Kathrin Stein

    págs. 173-196

    

  • Spaces for court music

    José Manuel Barbeito Díez

    págs. 197-215

    

  • The pulpit in the royal chapel during the Spanish Habsburg era: a receptacle and echo of Baroque culture

    Francis Cerdán

    págs. 216-228

    

  • The royal chapel as the setting for political struggle: praise and attacks on the royal favourite during the time of Philip IV

    Fernando Negredo del Cerro

    págs. 229-245

    

  • The ceremonial of majesty and aristocratic protest: the royal chapel at the court of Charles II

    Antonio Álvarez-Ossorio Alvariño

    págs. 246-299

    

  • The palace royal chapel at the end of the seventeenth century

    Juan Antonio Sánchez Belén

    págs. 300-327

    

  • The royal chapel and musical networks: festería, brotherhoods and friendly societies for musicians in eighteenth-century Madrid

    Nicolás Morales

    págs. 328-354