Passer Catulli (1962) de Jan Novák: dodecafonisme i mètrica llatina

• Ignasi Xavier Adiego ^[1]
  1. [1] Universitat de Barcelona

     Universitat de Barcelona

     Barcelona, España

     
• Localización: Liburna, ISSN 1889-1128, Nº. Extra 14 (Suplemento), 2019, págs. 21-41
• Idioma: catalán
• Títulos paralelos:
  • Jan Novák’s Passer Catulli: Dodecaphonism and Latin Metre
• Enlaces
  • Texto completo (pdf)
• Resumen
  • Latin

    Iani Neandri (i. e. Novák) illius praestantissimi musices cultoris Moraui natione, cui Iosephus Aloisius Vitalis noster dissertam orationem Latino sermone compositam et Ausae anno MMII coram populo habitam dicauit, opusculum musicum, ‘Passer Catulli’ nuncupatum —in quo musice canti Latini uersus, longis breuibusque syllabis mirabiliter ad rhythmum compositis, mixti sunt cum duodecim tonorum arte ab Arnoldo Pulchromonte inventa, et non absque uenustate quadam— hic describam ac breuiter explicabo.

  • English

    This paper examines Passer Catulli, a chamber work written by the Czech composer Jan Novák. The analysis focuses on Novák’s use of Dodecaphonic technique and his adaptation of Latin quantitative rhythm to music.