As personagens femininas de Pergaminho Vindel

• Lemaire Mertens, Ria ^[1]
  1. [1] Universidad de Poitiers
• Localización: The Vindel Parchment and Martin Codax: The Golden Age of Medieval Galician Poetry / Alexandre Rodríguez Guerra (ed. lit.), Xosé Bieito Arias Freixedo (ed. lit.), 2018, ISBN 9789027201393, págs. 69-82
• Idioma: portugués
• Texto completo no disponible (Saber más ...)
• Resumen

  • Until nowadays, traditional scholarship on the 13th-century cantigas de amigo from the Vindel Parchment has been based exclusively on two 16th-century cancioneiros and on the epistemological biases of 19th-century historiography of literature, with its scriptocentrism, viricentrism and nationalism.

    An immense gap separates the reader’s close-reading experience of the 7 cantigas, with their sexually active young women, setting out for a rendezvous with their lover, and the official discourse which makes students ‘read’ them as simple, silly young girls waiting passively and suffering for absent lovers.

    A new approach, combining postmodern insights and the radical decision to take the 13th-century Vindel Parchment as the basis of the historiography of 13th-century cantigas, opens new ways of reading them and rediscovering their female singers, composers and poets.