Shakespeare: a Dove, a Hawk, or simply a Humanist?

• Theodor Meron ^[1]
  1. [1] e International Residual Mechanism for Criminal Tribunals
• Localización: American Journal of International Law, ISSN 0002-9300, Vol. 111, Nº 4, 2017, págs. 936-956
• Idioma: inglés
• Texto completo no disponible (Saber más ...)
• Resumen

  • For readers whose first introduction to Shakespeare was through the widely seen film Henry V by Laurence Olivier, it is not surprising that Shakespeare was regarded as a patriotic, nationalistic and militaristic, rather pro-war playwright. Olivier's Henry V, as Ton Hoenselaars points out in his “Out-Ranting the Enemy Leader”: Henry V and/as World War II Propaganda, was entrenched in the British propaganda effort even before the thought of the film version of the war epic had occurred. Indeed, the film resulted from an invitation to produce it for the Churchill government. According to William Shaw, Olivier's film produced uplifting, patriotic propaganda for a war-weary England. It was the first Shakespeare play produced in Technicolor.