As a director who has often embraced elements of genre cinema, from westerns and prision-break films to samurai and hitmen, it was perhaps only a matter of time before he turned his attention to vampires. Here, he explains his unconventional take on the subject in Only Lovers Left Alive, a darkly comic tale of enduring love among the undead, and and why he was deternined to drive a stake through viewers' expectations.
© 2001-2024 Fundación Dialnet · Todos los derechos reservados