Starting from the conductor L. Bernstein�s claim for a certain �sportive element� in the aesthetic reception, I will research, into the frame of a dimensional (or aspectist) theory of artistic understanding, on some cases where we bend for interpretations that we don�t approve. I will evaluate the reasons based on coherence, fascination or clarity, in light of wittgensteinian concepts as puzzlement, Mut (courage) or seeing / seeing as. Finally, I will claim for an intrinsic value of this kind of artistic experiences.
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