Starting of the estimate that the most important feature of the poetic word is its acronism, examined already with Leopardi in Ensayo semiológico... , I study here this feature in conexion with the textual coherence at Unamuno 's Credo poético, since it is a synthesis-poem explained in its poetic signification by its conexions with others autor's works, anterior ones and so posterior ones to Credo, and these are critically condensed, supposing that acronic parts sum a singular and total acronic text.
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