págs. 1-18
Deep Space, Mobilized Time: The Anti-Francoist Guerrilla � Politics and Aesthetics of Armed Resistance (1938�1997)
págs. 19-37
The Price of Popular Frontism: Spanish Armed Resistance in the U.S. Visual Media (1936�1964)
págs. 38-60
Staging the Guerrilla as Past/Present War from the Margins of Exile: Cumbres de Extremadura y La niña guerrillera
págs. 61-78
Criminalizing Maquis: Configurations of Anti-Francoist Guerrilla Fighters as Bandoleros and Bandits in Cultural Discourse
págs. 79-99
págs. 100-122
Reenactments of Remedios Montero: Oral History of a Spanish Guerrillera in Testimony, Fiction, and Film
págs. 123-138
Between Nature and History: Landscape as Ethical Engagement in Llamazares� Luna de lobos
págs. 139-156
The Black Sun of Anarchy: From Historical Memory to Sinister Imagination (A Meditation on the Film El Honor de las Injurias by Carlos García-Alix)
págs. 157-179
Staging Armed Resistance: The Maquis in the Theater of Antonio Martínez Ballesteros
págs. 180-195
The Magic Mountains: Narratives of Historical Memory, Folk Literature, and Communities of Memory in the Popular Imagination of the Maquis
Germán Labrador Méndez, Agustina Monasterio Baldor, Mia Prensky (trad.), Lika K. Hirschmann (trad.)
págs. 196-216
Memory and Sustainability: Merging Epistemics in the Maquis Revival
págs. 217-231
Afterword: One Last Fight: Telling Stories of the Anti-Francoist Guerrilla in Twenty-First Century Spain
págs. 232-240
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