"To lerne you to dye when ye wyll": John Skelton and the "Ars Moriendi" tradition
págs. 5-22
"Fare thee well, dame": Shakespeare's forms of address and their socio-affective role
págs. 23-42
Postmodern recreations of the Renaissance: Robert Nye's fictional biographies of William Shakespeare
págs. 43-62
Staging Restoration dramas: practical aspects of their performance
págs. 63-80
págs. 81-102
Ambigous devices: the use of dramatic emblems in Marlowe's "Edward II" (1592)
págs. 103-114
The political is personal: the attack on Shadwell in "Sir Barnaby Whigg"
págs. 115-128
The four neoclassical Spanish Hamlets: assimilation and revision
págs. 129-144
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