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Arquitectura moderna en Dinamarca

  • Autores: Jaime José Ferrer Forés
  • Directores de la Tesis: Félix Solaguren-Beascoa de Corral (dir. tes.)
  • Lectura: En la Universitat Politècnica de Catalunya (UPC) ( España ) en 2006
  • Idioma: español
  • Tribunal Calificador de la Tesis: Heliodoro Piñón Pallarés (presid.), Carlos Martí Arís (secret.), Joaquim Sabaté Bel (voc.), Ola Wedebrun (voc.), Alberto Campo Baeza (voc.)
  • Materias:
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  • Resumen
    • I.

      The evolution of the Danish architecture is developing progressively in a critical continuity with international trends; it contemplates modern proposals and accommodates them to local conditions, surroundings and character; and is identified, mainly, with the Danish cultural heritage.

      By opposition to the stylistic eclecticism of the beginning of the century, the bygmester school, the master builder school, which P. V. Jensen Klint founded in 1911, accommodates itself to the common beauty of the primitive architecture, with the material honesty and the craftman's practice. The elementary language of the traditional construction and the classicist manor house, Liselund, orients the integration of classicism with the popular tradition and culminates with a period, the Neoclassicism, that enhances the classical cultural inheritance, constructing the Faaborg Museum (1912-1915) by Carl Petersen and has its occlusion in the monumentality of the Police Headquarters in Copenhagen (1918-1924) by Hack Kampmann and Aage Rafn.

      II.

      After World War I, the artistic breakway of the European avant-garde, the technological optimism, the industrial production and the geometric elementarism conform the artistic and social utopia of the Modern Movement represented by the Exposition des Arts Décoratifs held in Paris in 1925 where the profile of a stark, rigorous country is inscribed in the Danish pavilion of Kay Fisker in which Arne Jacobsen collaborates. Nevertheless, the beginning of the Scandinavian architectonic renovation took place in the Stockholm Exhibition in 1930, where the aesthetic and social manifesto conceived by Asplund reflects the incipient constitution of the welfare state. The white, cubic and simple shapes that Arne Jacobsen builds in Bellavista (1931-1934) are the aesthetic and egalitarian expression of a social utopia. The Modern Movement, however, becomes a minority phenomenon. The progressive movement of the Functionalism and the synthesis of traditio


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