Información General

• Editores: Academy of Fine Arts in Prague
• Año de publicación: 2020
• País: Chequia
• Idioma: español
• ISBN: 9788088366140
• Recoge los contenidos presentados a: Interdisciplinary ALMA Conference (7. 2019. Bratislava).
• Texto completo no disponible (Saber más ...)

Resumen

• Colour, and the manipulation of colour to express distance, importance, and emotions are an essential component of almost every form of fine arts. Indeed, the history of art is inseparable from the history of colours since they have always represented one of the key elements in this field. Their use dates back to the Antiquity until today undergoing to several changes according their preparation, application, conservation etc. This conference is going to focus on interdisciplinary role of the colours in the field of the fine arts encompassing several aspects such as (i) making colours (origin, provenance and ways of their production) (ii) understanding colours (via perception, chemical analysis and the painting technique evolution), (iii) changing colours (covering all aspects of degradation and the role of patina) and, finally, (iv) restoring colours – from local retouches to reconstructions (also including the virtual ones).

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • Session 1. Changing colours

    • Original Colours and Painting Technique of Two 17th Century Post-Byzantine Icons

      Cristina Serendan, Ciprian Firea, Simina Isvanca, Alexandru Chelmus

      págs. 13-26

      

    • Original Colours: One of the Keys to Interpretation of Mediaeval works of Art

      Jitka Srejberova, Janka Hradilová

      págs. 27-40

      

    • Changing and Disappearing Colors in Medieval Wall Paintings: Examples from Selected Slovak Murals around 1400

      Anabelle Kriznar, Jana Zelinska

      págs. 41-54

      

    • Lead Soaps in Painting: Symptoms and the Role of Humidity

      Silvia Garrappa, Silvie Svarcova, Eva Koci, Janka Hradilová, Petr Bezdicka, David Hradil

      págs. 55-70

      

  • Session 2. Understanding colours

    • When Colour is More than Pigments: The Challenges of Restoring Architectural Colour Schemes

      Andrea Urland, Eva Sperka

      págs. 71-80

      

    • Developing a Conservation Strategy from the Retouching of Fluorescent Paintings: The Case Study Greek H. Lambert

      Konstantinos Stoupathis

      págs. 81-92

      

    • Sharing Experiences in Conservation: Between Art and Show

      Aldona Jedrusik

      págs. 93-102

      

    • Jan Cybis, Leader of the Colourists Painter's Group: Analysis of the Artist's Painting Technique Using Spectroscopic Methods

      Anna Klisinska Kopacz, Michal Obarzanowski, Paulina Krupska, Anna Rygula, Julio Del Hoyo Meléndez

      págs. 103-116

      

    • Interdisciplinary Research of Painting Technique of Josef Ceregetti on Selected Artworks

      Lubos Machacko

      págs. 117-128

      

    • Interpretation of the Painting the Infant Saint John the Baptist with the Lamb by Melchiorre Gherardini

      Boris Blatny, Janka Hradilová, Zuzana Ludikova, Radoslav Ragac, Stanislava Trginova

      págs. 129-140

      

    • Identifying Pure and Applied Junfunori: An Algae-based Consolidant

      Sara Jordi, Monika Blaser, Robert Sterchi, Jan Inauen, Daniel M Meier

      págs. 141-150

      

    • Identification of Miniature Paintings' Pigments using Correlations of Ma-XRF Element Maps

      Michal Pech, Janka Hradilová

      págs. 151-162

      

  • Session 3. Making colours

    • Scale Insect Sources of Dyes in Textiles from Romanian Collections

      Irina Petroviciu, Ileana Cretu

      págs. 163-178

      

    • Hidden Pigments in Portrait Miniatures: Purple of Cassius

      Zuzana Sirillova, Lenka Hrebrinova, Janka Hradilová, Michal Pech, Olga Trmalova

      págs. 179-188

      

    • Emerald Green versus Scheele's Green: Evidence and Occurrence

      Christoph Herm

      págs. 189-202

      

    • Historic Paint Investigation of the Gierczyn Parish Church Painted Decoration in the Context of the Mining History of the Region

      Sylwia Svorova Pawelkowicz, Michal Witkowski, Petr Svora, Barbara Wagner

      págs. 203-215