Colour, and the manipulation of colour to express distance, importance, and emotions are an essential component of almost every form of fine arts. Indeed, the history of art is inseparable from the history of colours since they have always represented one of the key elements in this field. Their use dates back to the Antiquity until today undergoing to several changes according their preparation, application, conservation etc. This conference is going to focus on interdisciplinary role of the colours in the field of the fine arts encompassing several aspects such as (i) making colours (origin, provenance and ways of their production) (ii) understanding colours (via perception, chemical analysis and the painting technique evolution), (iii) changing colours (covering all aspects of degradation and the role of patina) and, finally, (iv) restoring colours – from local retouches to reconstructions (also including the virtual ones).
Original Colours and Painting Technique of Two 17th Century Post-Byzantine Icons
Cristina Serendan, Ciprian Firea, Simina Isvanca, Alexandru Chelmus
págs. 13-26
Original Colours: One of the Keys to Interpretation of Mediaeval works of Art
págs. 27-40
Changing and Disappearing Colors in Medieval Wall Paintings: Examples from Selected Slovak Murals around 1400
págs. 41-54
Lead Soaps in Painting: Symptoms and the Role of Humidity
Silvia Garrappa, Silvie Svarcova, Eva Koci, Janka Hradilová, Petr Bezdicka, David Hradil
págs. 55-70
When Colour is More than Pigments: The Challenges of Restoring Architectural Colour Schemes
págs. 71-80
Developing a Conservation Strategy from the Retouching of Fluorescent Paintings: The Case Study Greek H. Lambert
págs. 81-92
Sharing Experiences in Conservation: Between Art and Show
págs. 93-102
Jan Cybis, Leader of the Colourists Painter's Group: Analysis of the Artist's Painting Technique Using Spectroscopic Methods
Anna Klisinska Kopacz, Michal Obarzanowski, Paulina Krupska, Anna Rygula, Julio Del Hoyo Meléndez
págs. 103-116
págs. 117-128
págs. 129-140
Identifying Pure and Applied Junfunori: An Algae-based Consolidant
Sara Jordi, Monika Blaser, Robert Sterchi, Jan Inauen, Daniel M Meier
págs. 141-150
págs. 151-162
págs. 163-178
Hidden Pigments in Portrait Miniatures: Purple of Cassius
Zuzana Sirillova, Lenka Hrebrinova, Janka Hradilová, Michal Pech, Olga Trmalova
págs. 179-188
Emerald Green versus Scheele's Green: Evidence and Occurrence
págs. 189-202
págs. 203-215
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