- United Kingdom
Loretta Frattale
Università di Roma Tor Vergata, Studi Umanistici, Faculty Member
- She is Full Professor of Spanish Literature at the Faculty Lettere e Filosofia (Faculty of Literature and Philosophy)... moreShe is Full Professor of Spanish Literature at the Faculty Lettere e Filosofia (Faculty of Literature and Philosophy) of the University of Rome “Tor Vergata”. Her areas of expertise are: Catalan Modernism, The Generation of ’98, 20th Century Poetry (form Darío to Unamuno, Ganivet, D’Ors, Jiménez, Lorca, Hernández, Alberti, Rosales, Juan Carlos Mestre), with special regard to biopoetic and inter-artistic dynamics (poetry-scienceedit
Research Interests: Humanities and Art
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Mercè Rodoreda, Aloma, trad. il. e nota critica di A. M. Saludes i Amat, Firenze, Giunti, 1987, pp. XI-152; La piazza del Diamante, trad. il. di A. M. Saludes i Amat, Torino, Bollati Boringhieri, 1990, pp. 185; Il giardino sul mare, a cura di Clara Romanò, Milano, La Tartaruga edizioni, 1990, pp....more
Research Interests: Humanities and Art
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... Atti del XX Convegno [Associazione Ispanisti Italiani]. Información General. Autores: Domenico Antonio Cusato ( coord. ), Loretta Frattale ( coord. ... págs. 91-102. Un caso di rovesciamento parodico della tradizione: «No somos ni... more
... Atti del XX Convegno [Associazione Ispanisti Italiani]. Información General. Autores: Domenico Antonio Cusato ( coord. ), Loretta Frattale ( coord. ... págs. 91-102. Un caso di rovesciamento parodico della tradizione: «No somos ni Romeo ni Julieta» di Alfonso Paso. Anita Fabiani. ...
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Grumo di indicibile sofferenza e incontenibile idealita, la malinconia e uno dei volti dell’humanum con cui Teresa di Gesu si e confrontata direttamente, nella fasi critiche della propria ricerca s...
Research Interests: History and Teresianum
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First Italian edition of second memories book by Rafael Alberti, together with introduction and notes. The memories deal with the years between 1931 and 1988.
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Research Interests: History and Bibliotheca
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Nelle poesie composte durante la prima tappa della sua parabola creativa (1900-1915), il poeta spagnolo Juan Ramon Jimenez (Moguer, 1881 - San Juan, 1958) si autorappresenta assediato da una moltitudine di figure femminili e... more
Nelle poesie composte durante la prima tappa della sua parabola creativa (1900-1915), il poeta spagnolo Juan Ramon Jimenez (Moguer, 1881 - San Juan, 1958) si autorappresenta assediato da una moltitudine di figure femminili e particolarmente incline a sregolatezza erotica. Momento culminante, e quindi anche critico, di questa irresistibile convergenza erotico-malinconica e Libros de amor, testo composto nel 1913, ma pubblicato postumo, molti anni dopo la morte del poeta. Si a fronta qui un tema (l’erotismo) e una tonalita (la melancolia) nelle loro variabili configurazioni (erotismo melancolico, melancolia erotica) e nei loro intrecci con le dinamiche vitali e formali che agiscono all’interno di questo specifico segmento di creazione. Contestualmente si ricostruisce il graduale processo di depurazione del dettato poetico juanramoniano, iniziato ben prima della svolta purista ufficialmente avviata con la pubblicazione del libro Diario de un poeta recien casado (1916).In the poems written during the first stage of his creative life (1900-1915), Juan Ramon Jimenez (Moguer, 1881 - San Juan, 1958) portrays himself obsessed by a multitude of female figures and strongly prone to erotic dissoluteness. The highest, and therefore critic, point of this irresistible erotic-melancholic convergence is Libros de amor, written in 1913 but published posthumously, many years af er the poet’s death. We will examine a topic (erotism) and an atmosphere (melancholy) in their variable configurations (melancholic erotism, erotic melancholy) and in their intertwining with the vital and formal dynamics acting inside this specific creative segment. At the same time, we will reconstruct the gradual process of purification of Juan Ramon’s poetic language, initiated long before the purist turn officially started with the publication of the book Diario de un poeta recien casado (1916).PAROLE CHIAVE: Eros; Melancolia; Juan Ramon Jimenez; Simbolismo; Modernismo.
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Research Interests: Humanities and Art
... Fu inoltre proprio in ambiente teosofico che si propose una lettura "analogica" dei drammi wagneriani ... e del male e sul ruolo di Lucifero e Satana nella cosmogonia teosofica, riportate da ... umanitarie si precisano in... more
... Fu inoltre proprio in ambiente teosofico che si propose una lettura "analogica" dei drammi wagneriani ... e del male e sul ruolo di Lucifero e Satana nella cosmogonia teosofica, riportate da ... umanitarie si precisano in senso individualisti-co con l'apporto del vitalismo nietzchiano, l ...
Research Interests: Humanities and Art
Research Interests: History and Humanities
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Research Interests: Art and Enzo Lippolis
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L'A. rend compte des debats qui se sont tenus en 1993 au colloque de Roncisvalle a propos de l'historiographie religieuse dans l'ere contemporaine. Ce congres, en effet, a reuni nombre de specialistes venus de l'Espagne,... more
L'A. rend compte des debats qui se sont tenus en 1993 au colloque de Roncisvalle a propos de l'historiographie religieuse dans l'ere contemporaine. Ce congres, en effet, a reuni nombre de specialistes venus de l'Espagne, du Portugal, d'Italie, de France, d'Allemagne, de Grande-Bretagne et d'Irlande. Leur contribution est importante, surtout d'un point de vue bibliographique
Research Interests: Humanities and Art
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... Loretta Frattale ( coord. ), Gabriele Morelli ( coord. ), Pietro Tarovacci ( coord. ), Belén Tejerina ( coord. ... págs. 99-118. Memorias de la galera: dos espacios distintos en dos bailes. Elena Di Pinto. Texto completo. págs. ...... more
... Loretta Frattale ( coord. ), Gabriele Morelli ( coord. ), Pietro Tarovacci ( coord. ), Belén Tejerina ( coord. ... págs. 99-118. Memorias de la galera: dos espacios distintos en dos bailes. Elena Di Pinto. Texto completo. págs. ... Ana María González Luna. Texto completo. págs. 299-308. ...
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Research Interests: Humanities and Art
Research Interests: Art and Bibliotheca
Research Interests: History and Bibliotheca
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The Lake Tahoe basin has the potential for serious earthquakes and earthquake-related tsunamis. The history of lake level fluctuations should be recorded in sediments beneath the Lake's outlet at Tahoe City. Borehole data show the... more
The Lake Tahoe basin has the potential for serious earthquakes and earthquake-related tsunamis. The history of lake level fluctuations should be recorded in sediments beneath the Lake's outlet at Tahoe City. Borehole data show the sediments consist primarily of a thick sequence of lacustrine silts and clays with interbedded sands. Beneath this unit is an older Q-T (?) sand and gravel sequence of unknown origin. The lacustrine deposits locally rest upon 2.0 Ma latites, which in turn rest upon the older sand and gravel sequence. Near the outlet, several fault scarps displace units less than 2.0 m.y. old. These scarps may influence the stability of the dam across the outlet and the sequence and extent of lake level high stands. Our project is integrating geophysical and stratigraphic data to further define and describe the Tahoe City sub-basin. We collected new gravity data to provide an estimate of basin depths across the outlet and help define subsurface faults. Preliminary data suggest the maximum basin depth is 180 m, near the outlet. Refraction microtremor surveys yielded information about stratigraphy and shear velocities of the Quaternary deposits. The average shear wave velocity to 30-m depth obtained for this area is 334 m/s. These values correspond to a NEHRP soil hazard class of D, similar to that found in other lacustrine basins of the region. Soils in this NEHRP class tend to show a significant amplification of shaking, posing increased hazard to structures. We are combining stratigraphic with gravity and seismic data to produce geologic cross sections having information on basin depths and Quaternary faults.
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Mercè Rodoreda, Aloma, trad. il. e nota critica di A. M. Saludes i Amat, Firenze, Giunti, 1987, pp. XI-152; La piazza del Diamante, trad. il. di A. M. Saludes i Amat, Torino, Bollati Boringhieri, 1990, pp. 185; Il giardino sul mare, a cura di Clara Romanò, Milano, La Tartaruga edizioni, 1990, pp....more