Resumen de Intimidade, Ciberespaço e o gesto cotidiano do vídeo
This essay proposes thought about how the daily practices of making images of oneself and publishing them onthe Internet can relate to the production of new forms of being in the world. The research is divided in two axes:the first one is dedicated to the producing of images which is inserted in the subject’s daily life, thinking about howthis insertion can be revealed into a strategy of self-experimenting and daily life transformation. It aims also toshow some kind of genealogy of the relation between image and private life, trying to understand the aestheticaland political implications of this relation in given historical and artistic contexts. The second axis centers brieflyon the meanings of the publishing of such images in the cyberspace today, pondering about the phenomenon ofoverexposure in contemporaneity. For this analysis we trace a comparative analysis between the Foucaultian ideaof modern visibility devices and what some thinkers name new visibility devices, trying to analyze the similarities anddifferences in the way both operate on the production of subjectivities.
