The present text investigates how the contemporary Brazilian cinema represents the societies and territoriesconstructed by the senses and desires of characters who experience continuous nomadism. Regarding the outbackand its panoramas as scenarios that reflect the migrants life toward the big cities, or regarding the charactersmoving through the streets in different spaces, their fragmented dialogues, their memories that are not alwaysrelated to the physical city but to the time and space of the mind where the city interferes.The main focus of thestudy is the displacement because it is in it that the imaginary, the sociocultural identities; that the territories areconstructed, transformed and transfigured. Itis also in the displacement that the plots of fine dialectic betweenpeople and territories are revealed.
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