Resumen de Dispositif photo-littéraire et parcours mémoriel dans "Bruges-la-Morte" de Georges Rodenbach (1892), "Nadja" d’André Breton (1928 et 1963) et "Dora Bruder" de Patrick Modiano (1997)
This article examines the association of text and photographic image in three stories celebrating the encounter and disappearance of a woman crossed in an urban setting. All based on the sameliterary source, Baudelaire’s poem «À une passante», they illustrate the multiple links between image and memory.
