These pages constitute the critical tribute and poetic testimony of a writer’s reading of L’Arrière-pays. Deliberately subjective, less sensitive to the speculative character than to the autobiographical and aesthetic dimension of Y. Bonnefoy’s work, and in particular to the motif of ut pictura poesis, this linear traversal of L’Arrière-pays superimposes landscapes either seen or painted, memories of travel and writing, atmospheres and sources of inspiration. Referring back to the first reading, fifty years earlier, of a book which now shows unstuck pages and a worn cover, this rereading evokes a common hinterland that is real and imaginary, pictorial and literary, where the paths of the two writers intersect, diverge and intertwine.
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