Resumen de Il soggetto dell'annuncio
The pictorial topic of “Annunciation” gives the possibility of an understanding of Heidegger’s masterful reading of announcement as Erscheinung in its distinction from Phänomen as self-manifestation. In particular, three paintings – L’annunciazione di Recanati by Lorenzo Lotto, Ecce Ancilla Domini by Dante Gabriel Rossetti, The Annunciation by John William Waterhouse – allow in the analysis of announcement a reference to subjectivity as receiver which is grasped in its primordial passivity, but also in its capacity of answering and self-positioning in front of announcement.
