A study of paintings on glass produced in te workshop of Luca Giordano prompts a review of some problematic attributions to him of pictures which should instead be adscribed to specialist pupils and collaborators. The author proposes revisions regarding the oeuvre of the Giordanesque painters Carlo Garofalo, Domenico Coscia and Girolamo Cenatiempo, highlighting the widespread custom of copying the master's model for reverse painting on glass, which according to early sources, confirmed by recent archival research, was regular practice in that workshop
© 2001-2024 Fundación Dialnet · Todos los derechos reservados