A distinct aesthetic binds a number of films by black female directors across the years, from Julie Dash’s Daughters of the Dust to Beyoncé’s visual album Lemonade – an approach that aims to illuminate the varied experiences of black women with a rare interiority and subjectivity. On the eve of a Sight & Sound-sponsored season at BFI Southbank in London, Gaylene Gould talks to Dash about her groundbreaking and recently restored feature, while overleaf Tega Okiti introduces several of the key figures working within this often marginalised cinematic tradition.
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