Información General

• Autores: Diego Santos Sánchez (ed. lit.)
• Editores: Taylor & Francis, Routledge/Taylor & Francis Group
• Año de publicación: 2018
• Colecciones: Routledge Advances in Theatre and Performance Studies
• País: Reino Unido
• Idioma: inglés
• ISBN: 978-1-138-22330-1
• Texto completo no disponible (Saber más ...)

Reseñas

• Ha sido reseñado en:

  • «Theatre and Dictatorship in the Luso-Hispanic World», de Diego Santos Sánchez

    Javier Domingo Martín

    Castilla: Estudios de Literatura, ISSN 1989-7383, Nº.9 10, 2019

  • "Theatre and dictatorship in the Luso-Hispanic world" de Diego Santos Sánchez (ed.)

    María Serrano Aguilar (res.)

    Pasavento: revista de estudios hispánicos, ISSN-e 2255-4505, Vol. 7, Nº. 1, 2019, págs. 225-229

  • Theatre and dictatorship in the Luso-Hispanic World. Santos Sánchez, diego nueva york, routledge, 2018, 264 pp.

    Dulce Alejandrina Galván Camacho (res.)

    Don Galán: revista de investigación teatral, ISSN-e 2174-713X, Nº. 10, 2020, págs. 103-103

Resumen

• Theatre and Dictatorship in the Luso-Hispanic World explores the discourses that have linked theatrical performance and prevailing dictatorial regimes across Spain, Portugal and their former colonies. These are divided into three different approaches to theatre itself - as cultural practice, as performance, and as textual artifact - addressing topics including obedience, resistance, authoritarian policies, theatre business, exile, violence, memory, trauma, nationalism, and postcolonialism. This book draws together a diverse range of methodological approaches to foreground the effects and constraints of dictatorship on theatrical expression and how theatre responds to these impositions.

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • Weaving the Luso-Hispanic fabric: an entangled world of dictatorial constraints and theatrical responses

    Diego Santos Sánchez

    págs. 1-41

    

  • Policies/Practices

    • Theatre censorship and foreign drama in Estado Novo Portugal during the Spanish Civil War and the Second World War

      Zsofia Gombár

      págs. 45-57

      

    • Censorship on the Brazilian scene: The "distribution of the sensible" and art as a political force

      María Cristina Castilho Costa, Walter de Sousa

      págs. 58-70

      

    • José Tamayo: foreign policy and cultural opportunism

      Carey Kasten

      págs. 71-85

      

    • Galician independent theatre: a breach in Franco's dictatorship

      Cilha Lourenço-Módia

      págs. 86-98

      

    • The aftermath of dictatorship in contemporary Basque theatre

      Arantzazu Fernández Iglesias

      págs. 99-108

      

  • Performance

    • Are all tyrannies the same? Rebellion against Spanish opression as a re-enactment of resistance to totalitarianism in Marco's Philippines

      Rocío Ortuño Casanova

      págs. 111-125

      

    • Puppet theatre as response to dictatorship in Catalonia and Chile

      Cariad Astles

      págs. 126-139

      

    • Dagoll Dagom's No hablaré en clase, a postdramatic response to Francoism

      David Rodríguez Solás

      págs. 140-154

      

    • The politics of community and place in o bando's Nós Matámos o Cão tinhoso!

      Vanessa Silva Pereira

      págs. 155-170

      

  • Texts

    • Bridging literary traditions in the Hispanic world: Equatorial Guinean drama and the dictatorial cultural-political order

      Elisa Rizo

      págs. 173-187

      

    • Soldiers without orders, actors without stages: Carlos Manuel Varela's Interrogatorio en Elsinore and Bosco Brasil's Novas diretrizes em tempos de paz

      Katya Soll

      págs. 188-199

      

    • Complicitous acts in Argentina's theatre

      Ariel Strichartz

      págs. 200-213

      

    • Paraguay between dictatorships: El Edificio, an unknown play by Josefina Plá

      Yasmina Yousfi López

      págs. 214-230

      

    • Negotiating sexuality and censorship in Las sábanas by José Corrales

      Lourdes Betanzos

      págs. 231-244

      

    • Appropriating the past under Somoza and the Sandinistas: The polyvalent sign of El Güegüence

      E. J. Westlake

      págs. 245-260