págs. 3-15
págs. 19-36
"Happy Hour in the Afternoon" and "Station Debunk": Two Nazi Jazz Projects of World War II
págs. 37-56
Frank Capra's Job in Germany: Evoking Cautious Suspicion through German Musical Reassurance
págs. 57-67
Singing the Right Message: Song and Controversy in East Germany
págs. 69-78
The Totalitarian Rhetoric of "Struggle": March Rhythms in the Service of Propaganda and Ideological Indoctrination in Poland under Stalinist Dictatorship (1949-1956)
págs. 81-99
Music as a Carrier of Ideas: The Example of Postwar Polish Music
págs. 101-109
Celebrating the October Revolution in Music: A Political Event?
págs. 111-122
Music Historiography and Propaganda in the First Half of the 20th Century: The Croatian Example
págs. 123-130
Musica e propaganda politica: il ruolo e la retorica della stampa quotidiana nella vita musicale di Pola e dell'Istria nel periodo tra le due guerre mondiali (1926-1943)
págs. 131-143
Music and Propaganda after World War II: Example of the Socialist Federal Republic of Yugoslavia
págs. 145-152
págs. 153-159
Propaganda di sinistra: l'esperienza di "Cantacronache" (1958-1962)
págs. 165-173
"Aber gewise Dinge stehen gar nicht drin" ("But Certain Things Aren't at All There"): On a German Conductor, a Portuguese Sympony, and the Elephant in the Room
págs. 175-190
págs. 191-205
Voices, Strategies and Practices of Propaganda: Music and Artistic Culture at the Service of the State during Francoism
págs. 207-224
De Don Quijote a Dulcinea: dimensión política de las adaptaciones musicales cervantinas en el primer franquismo (1939-1950)
págs. 225-241
Las armas de Terpsícore en la recuperación diplomática del franquismo: Coros y Danzas de España en la Argentina de Perón (1948)
págs. 243-264
La música española en los años cincuenta: el Premio de Composición "Samuel Ros" como reflejo de las políticas del régimen franquista y la transición hacia las nuevas estéticas compositivas
págs. 265-287
"Problematized" Music: Notes on the reception of "Avant-garde" Symphonic Music during the Franco Years (1952-1969)
págs. 289-316
págs. 317-329
Muundo y formas del cante flamenco cincuenta años después: identidades del flamenco en el último franquismo
págs. 331-350
"Lieder sind Brüder der Revolution": An Ideology-Critical Approach to the Use of Songs as a Vehicle for Propaganda
págs. 353-374
Songs, Singing and Spaces in South Africa: Afrikaans Folk Songs in Nationalist Publications
págs. 375-390
"Shostakovich, Jump through the Window!": Dmitry Shostakovich and the Opening of the Cold War Propaganda Battle in "Time" and "Life" Magazines
págs. 393-403
"Finish It - Whatever It Takes": Musical Propaganda in Political Ads from Bush's 2004 U.S. Presidential Compaign
págs. 405-412
Re-(nova)volution: The Members of the Grupo de Renovación Musical before the Cuban Revolution and afterwards
págs. 413-428
Music and Propaganda: Contexts and Repertoires in the Second Half of the 20th Century in Uruguay
págs. 429-448
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