



Reading the "Helicon Collage": hidden stories in the collected fragments
págs. 13-32
Transforming the wilderness into God's creation: John James Audubon in a Canadian space
págs. 33-52
"Big empty Negroes" and "gay, exciting" Mexicans: recontextualizing Fellaheen identities in Jack Kerouac's "On the road"
págs. 53-70
Las metáforas provisionales de la postmodernidad: la obra de William Gass
págs. 71-86
Wrestling with the Odds in "Once were warriors": Alan Tamahori's cinematic adaptation
págs. 87-106
Through the eye of a postmodernist child: Ian McEwans's "Homemade"
págs. 107-120
Fast forward to the past: revisiting trauma after the fall
págs. 121-136




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