Essays on Canadian writing

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  Año 1999, Número 67

  • Nationalism, the West, and The Englishman's Boy.

    Reinhold Kramer

    págs. 1-22

    

  • Dances with Wolfers: Choreographing History in The Englishman's Boy

    Herb Wyle

    págs. 23-52

    

  • The Emergence of "Asian Canadian Literature" Can Lit's Obscene Supplement?

    Guy Beauregard

    págs. 53-75

    

  • "Raising the Heart": The Politics of the Popular and the Poetics of Performance in the Work of Maxine Tynes

    Danielle Fuller

    págs. 76-112

    

  • Refracting Masculinity

    David Leahy

    págs. 113-121

    

  • Situated History and the Novels of Timothy Findley.

    Barbara Gabriel

    págs. 122-125

    

  • Critical Plurals.

    Kevin Mcneilly

    págs. 126-133

    

  • Writing for the Stage.

    Sherrill Grace

    págs. 134-137

    

  • Fighting with Blunt Swords: Laura Goodman Salverson and the Canadian Literary Canon.

    Daisy Neijmann

    págs. 138-173

    

  • Going off the Rails.

    Siobhan O'Flynn

    págs. 174-180

    

  • Women's Travel Narratives and the Colonization of Canada

    Wendy Roy

    págs. 181-189

    

  • Destination Nation: Neneteenth-Century Travels Aboard the Canadian Pacific Railway.

    Kevin Flynn

    págs. 190-222

    

  • Bow Down Your Heads- A Monumental Wind is Passing By

    Perry Nodelman

    págs. 223-229

    

  • Magical First Novel.

    Ruth Panofsky

    págs. 230-235

    

  • The Gospel of Almásy: Christian Mythology in Michael Ondaatje's The English Patient

    David Roxborough

    págs. 236-254

    

  • Keeping to the Trail.

    Thomas Hodd

    págs. 255-260

    

  • "A Field of Potentialities": Reading Erin Mouré.

    Jamie Dopp

    pág. 261