Essays on Canadian writing

• 

  Año 1999, Número 67

  • Nationalism, the West, and The Englishman's Boy.

    Reinhold Kramer

    págs. 1-22

    

  • Dances with Wolfers: Choreographing History in The Englishman's Boy

    Herb Wyle

    págs. 23-52

    

  • The Emergence of "Asian Canadian Literature" Can Lit's Obscene Supplement?

    Guy Beauregard

    págs. 53-75

    

  • "Raising the Heart": The Politics of the Popular and the Poetics of Performance in the Work of Maxine Tynes

    Danielle Fuller

    págs. 76-112

    

  • Refracting Masculinity

    David Leahy

    págs. 113-121

    

  • Situated History and the Novels of Timothy Findley.

    Barbara Gabriel

    págs. 122-125

    

  • Critical Plurals.

    Kevin Mcneilly

    págs. 126-133

    

  • Writing for the Stage.

    Sherrill Grace

    págs. 134-137

    

  • Fighting with Blunt Swords: Laura Goodman Salverson and the Canadian Literary Canon.

    Daisy Neijmann

    págs. 138-173

    

  • Going off the Rails.

    Siobhan O'Flynn

    págs. 174-180

    

  • Women's Travel Narratives and the Colonization of Canada

    Wendy Roy

    págs. 181-189

    

  • Destination Nation: Neneteenth-Century Travels Aboard the Canadian Pacific Railway.

    Kevin Flynn

    págs. 190-222

    

  • Bow Down Your Heads- A Monumental Wind is Passing By

    Perry Nodelman

    págs. 223-229

    

  • Magical First Novel.

    Ruth Panofsky

    págs. 230-235

    

  • The Gospel of Almásy: Christian Mythology in Michael Ondaatje's The English Patient

    David Roxborough

    págs. 236-254

    

  • Keeping to the Trail.

    Thomas Hodd

    págs. 255-260

    

  • "A Field of Potentialities": Reading Erin Mouré.

    Jamie Dopp

    pág. 261

    
• 

  Año 1999, Número 68

  • Introduction: A Manifesto for Materialism.

    Imre Szeman

    págs. 1-18

    

  • Space Administration: Rereading the Material History of Theatre Pase Muraille in Toronto.

    Michael McKinnie

    págs. 19-45

    

  • The cost of a Drink in Mariposa.

    Flenn Willmott

    págs. 46-76

    

  • Immaculate Trophies.

    Mark Simpson

    págs. 77-106

    

  • The Seat of Conflict: Design, Domesticity, and Material Culture in Marion Quednau's The Butterfly Chair.

    Susan Elmslie

    págs. 107-133

    

  • The Sacrifice and Crackpot: What a Woman Can Learn by Rewriting a Fairy tale and Claritying Its Meaning.

    Marcia Mack

    págs. 134-158

    

  • Written in the Scars: and History, Gente, and Materiality in Dionne Brand's In Another Place, Not Here

    Pamela Mccallum, Christian Olbey

    págs. 159-182

    

  • Among Masses: Dorothy Livesay and English Canadian Leftist Magazine Culture of the Early 193os

    Dean J. Irvine

    págs. 183-213

    

  • Socialism and the English Canadian Literaty Tradition.

    Larry Mcdonald

    págs. 213-241

    

  • Material Querelle: The Case of Frye and Mcluhan.

    Richard Cavell

    págs. 242-265

    

  • Curious Georfe at the Border: American Intellectual Property and Canadian Culture

    Caaren Irr

    págs. 266-292

    

  • Contributors to This Issue.

    Caren Irr

    págs. 293-293

    
• 

  Año 1999, Número 69

  • Counterpoint Leonard Cohen

    Adrienne Clarkson

    págs. 1-2

    

  • Introduction

    Stephen Scobie

    págs. 3-4

    

  • On First Looking into Leonard Cohen

    Doug Beardsley

    págs. 5-8

    

  • Balanced on Wooden Stilts and Dancing: What Irving Layton Taught Me about Leonard Cohen

    Kevin Flynn

    págs. 9-11

    

  • Beautiful Losers: Leonard Cohen's Postcolonial Novel

    Frank Davey

    págs. 12-23

    

  • "Nightmares of Identity": Nationalism and Loss in Beautiful Losers

    Peter Wilkins

    págs. 24-50

    

  • Geoffrey Wren

    págs. 51-52

    

  • "There is a crack in everything": Preservation, Fortification, and Destruction in The Favourite Game

    Jenny L.M. Kerber

    págs. 53-63

    

  • "Not My Real Face": Corporeal Grammar in The Favourite Game

    Carmen Ellison

    págs. 64-72

    

  • The Voice of Trust in Leonard Cohen

    Susan Macfarlane

    págs. 73-83

    

  • "So Long, Marianne"

    Carol Matthews

    págs. 84-86

    

  • Ladies and Gentlemen, Mr. Leonard Cohen... Mr. Ralph Gustafson

    Cynthia Cecil

    págs. 87-99

    

  • Famous Blue Raincoat: A Symposium

    págs. 100-116

    

  • Four grounds: ways to play in cohen's garden of verses

    Ruthanne Wrobel

    págs. 117-124

    

  • "My Black Pages": Reconsidering Death of a Lady's Man and Death of a Ladies' Man

    Robert De Young

    págs. 125-139

    

  • Your Man On-Line

    Jarkko Arjatsalo

    págs. 140-149

    

  • Who's the Boss? An Internet discussion on "Closing Time"

    Stephen Scobie

    págs. 150-157

    

  • Miming/Differance: Leonard Cohen Live

    Lori Emerson, Joe Hooper

    págs. 160-183

    

  • Leonard Cohen Live in Germany, 1993

    Christof Graf

    págs. 184-197

    

  • The Representation of the Holocaust in Flowers for Hitler

    Sandra Wynands

    págs. 198-209

    

  • When to Write Prose (for Leonard Cohen)

    Peter Jaeger

    págs. 226-228

    

  • Pornographic Sublime: Beautiful Losers and Narrative Excess[sup1]

    Robert David Stacey

    págs. 229-250

    

  • Beyond Agonistics: Vertiginous Games in the Fiction of Leonard Cohen

    Paul Milton

    págs. 251-275