Apollo: The international magazine of arts

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  Año 1999, Número 443

  • A table for Queen Mary's Water Gallery at Hampton Court

    Adriana Turpin

    págs. 3-14

    

  • Anne-Marie Fontaine: from style moderne to Art Deco

    Bernard Bumpus

    págs. 15-21

    

  • A new attribution for Bishop Compton's elbow chair

    Adam Bowett

    págs. 22-24

    

  • The tile decoration by Morris & Co. for Queen' College, Cambridge: the inspiration of illuminated manuscripts

    Michaela Braesel

    págs. 25-33

    

  • An 'Assumption of the Virgin' by Benvenuto Cellini: a gilt-bronze seal in the Wernher Collection

    Charles Avery

    págs. 34-39

    

  • A letter concerning coins in sixteenth-century Ferrara

    Rupert Shepherd

    págs. 40-44

    

  • The work of John Henning Junior at Stafford House

    Jon Yorke

    págs. 44-48

    
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  Año 1999, Número 444

  • Puvis de Chavannes and the Parisian daily press

    Michael Marlais

    págs. 3-10

    

  • George Clausen and Henry Herbert La Thangue: rural painting, urban patronage

    Kristi Holden

    págs. 11-19

    

  • Monet in the 20th century: the artist's practice as revealed by photographs

    Charles Stuckey

    págs. 20-25

    

  • David d'Anger's female busts: two portraits of American women

    Peggy Folgeman

    págs. 26-34

    

  • Jean-Charles Cazin's reception in America

    Gabriel P. Weisberg

    págs. 35-40

    

  • Pierre Louis Enault: the electic critic

    Dominique Lobstein

    págs. 41-48

    

  • The Société Nationale: the politics of innovation in late nineteenth-century France

    Juliet Simpson

    págs. 49-54

    
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  Año 1999, Número 445

  • A group of sixteenth century caskets from Ceylon

    Amin Jaffer, Anne Scwabe

    págs. 3-14

    

  • Celestial creatures: Chinese tiles in the Victoria and Albert Museum

    Rose Kerr

    págs. 15-22

    

  • A Japanese export lacquer chest in the V & A: some further observations

    Julia Hutt

    págs. 22-24

    

  • The Stones of Prague: sculpture in the Lapidarium of the National Museum

    Alison Luchs

    págs. 25-37

    

  • Songs ceramics in Cape Town: the Davis Collection of Chinese ceramics at the South African Cultural History Museum

    Esther Esmyol

    págs. 38-44

    

  • The Chinese folding chair, Mortimer Menpes and an Aesthetic interior

    Nick Pearce

    págs. 45-53

    

  • Netsuke: a historical approach

    Matthi Forrer

    págs. 54-58

    
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  Año 1999, Número 446

  • Acquisitions for the National Trust: 1997-99

    Tim Knox, David Oosterman

    págs. 3-7

    

  • Dancing Soane: The Yellow Drawing oom at Wimpole Hall

    Christopher Woodward

    págs. 8-13

    

  • A mysterious masterpiece: a bust by Algardi at Kingston Lacy

    Jennifer Montagu

    págs. 14-15

    

  • Four Georges: the decorative art collections of Mrs David Gubbay and Lady Binning

    Tracey Avery

    págs. 16-20

    

  • A Japanese garniture for Nostell Priory

    Anthony du Boulay

    págs. 20-23

    

  • The Knole Settee

    John Coleman, Geoffrey Beard

    págs. 24-28

    

  • 'the utmost nicety of cleanness': country house Dairies

    Margaret Willes

    págs. 29-32

    

  • 'La Plus Belle Chose du Monde' and the Enghien Tapestries at Dyrham Park and Maiden Bradley

    A. Mitchell

    págs. 33-37

    

  • Huttleston Broughton, 1st Lord Fairhaven (1896-1966) as a collector of English silver

    Myrtle Ellis

    págs. 38-44

    

  • The obsequies of a Victorian grandee: the 1st Earl of Brownlow's 'Chapelle Ardente' at Belton House

    Tim Knox

    págs. 45-49

    

  • The Emperor's room at Dunham Massey

    Sîan Miller

    págs. 50-53

    

  • A Sèvres biscuit centrepiece by Alexandre-Thèodore Brongniart restored to Uppark

    Christopher Rowell

    págs. 54-57

    
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  Año 1999, Número 447

  • Pietro Lorenzetti's Dazzling Meteor Showers

    Roberta J. M. Olson

    págs. 3-10

    

  • In search of Ambrogio Lorenzetti's allegory of Justice: changes to the frescoes in the Palazzo Pubblico

    Robert Gibbs

    págs. 11-16

    

  • Domenico Beccafumi and Francesco Salviati: a question of influence

    Jak Katalan

    págs. 11-16

    

  • A patron for Bartolomeo della Gatta's 'Stigmatization of Saint Francis'

    Richard Reed

    págs. 24-26

    

  • A little local difficulty: John Michael Wright and his patrons

    David J. Howarth

    págs. 27-30

    

  • Jacques Doucet and the patronage of Art Deco

    Claire Brisby

    págs. 31-39

    

  • The picture season at Villiers-le-Bel, 1876-78: Elizabeth Boott, thomas Couture, and Henry James

    Carol Osborne

    págs. 40-51

    
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  Año 1999, Número 448

  • Surrealism and 'The Golden Age': West Dean and the James legacy

    Sharon-Michi Kusunoki

    págs. 3-10

    

  • An allegory of the Sack of Rome by Giulio da Urbino

    Dora Thornton

    págs. 11-18

    

  • Filippo Lauri's 'Rape of 'Europa'

    Christopher Baker

    págs. 19-24

    

  • 'The Dark Knight': Edward Knight of Wolverley and his collections

    Joan Lane

    págs. 25-30

    

  • From Pierpont Morgan to the Kennedys and beyond: new light on the art architecture of No. 14 Princes Gate

    Colin Thom

    págs. 31-41

    

  • Newly discovered building accounts for Charlemont House and the Casino at Marino

    Christine Casey

    págs. 42-50

    

  • Paris Bordone and the 'Aedes Walpolianae'

    David Ekserdjian

    págs. 51-52

    
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  Año 1999, Número 449

  • The new Greek Galleries at the Metropolitan Museum of Art

    Clare Manchester

    págs. 3-12

    

  • The viewer in the Roman landscape

    Jas Elsner

    págs. 13-17

    

  • 'To make death beautiful': the other life of Fayum portraits

    Dominic Montserrat

    págs. 18-25

    

  • Graphic and digital reconstruction of losses on ancient material: two case studies

    Maya Elston

    págs. 26-34

    

  • The evolution of a Baroque Chapel: Pietro da Cortona's 'Divine Wisdom', Urban VIII, and Bernini's adoration of the Sacrament

    Melissa Beck

    págs. 35-45

    

  • Pathos by formula: the story of Raphael's 'Entombment'

    Nigel Spivey

    págs. 46-51

    
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  Año 1999, Número 450

  • Unpublished drawings by Parmigianino: towards a supplement to Popham's 'catalogue raisonné'

    David Ekserdjian

    págs. 3-41

    

  • Masolino da Panicale and Florentine cassone painting

    Ellen Callmann

    págs. 42-49

    

  • Stubbs and Wedgwood: new evidence from the Oven Books

    Robin Emmerson

    págs. 50-55

    
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  Año 1999, Número 451

  • French Royal Bronzes in Great Britain

    Robert Wenley

    págs. 3-12

    

  • A lost work by Andrea della Robbia rediscovered: The Jews's Tabernacle at Empoli

    Louis Alexander Waldman

    págs. 3-12

    

  • The emergence of Grinling Gibbons as a 'statuary'

    Katharine Gibson

    págs. 21-29

    

  • Cristoforo Stati's 'Samson and the Lion': Florentine style and Spanish patronage

    Ian Wardropper

    págs. 30-37

    

  • The Hardwick Album: a question of authorship

    Rowena Dudley

    págs. 38-46

    

  • 'My masculine Models': the sculpture of Kathleen Scott

    Mark Stocker

    págs. 47-54

    
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  Año 1999, Número 452

  • 'Valuable assistance': Stanley Spencer's friendship with Gwen and Jacques Raverat

    Susanna Avery-Quash

    págs. 3-11

    

  • Decorative glass panels from the second 'Mauretania'

    Alyson Pollard

    págs. 12-20

    

  • Lawrence Alma-Tadema, Edward Poynter and the redecoration of the Athenaeum Club

    Bruce Boucher

    págs. 21-29

    

  • Turner at the British Institution in 1806: a canvas united in a world divided

    Eric Shanes

    págs. 30-36

    

  • Mr Morritt's 'Venus': Richard Ford, Sir William Stirling-Maxwell and the 'cosas de España'

    David Howarth

    págs. 37-44

    

  • 'Eternity in a grain of sand': Dutch still life painting at the Rijksmuseum

    Paul Taylor

    págs. 45-49

    
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  Año 1999, Número 453

  • Relaxing in the Ming

    Jessica Harrison-Hall

    págs. 3-10

    

  • George Henry and E.A. Hornel's visit to Japan and 'Yokohama Shashin': the influence of Japanese photography

    Ayako Ono

    págs. 11-18

    

  • Sino-Thai ceramics in the Hermitage: contacts between Thailand and Russia at the end of nineteenth century

    Tatyana Arapova, Olga P. Deshpande

    págs. 19-24

    

  • Exotic renaissance accessories: Japanese, Indian and Sinhalese fans at the courts of Portugal and Spain

    Annemarie Jordan Gschwend

    págs. 25-35

    

  • A Korean porcelain 'Full-Moon' jar: Bernard Leach, Lucie Rie and the collecting of oriental ceramics

    Jane Portal

    págs. 36-37

    

  • 'Looking very gay and bright': Burmese textiles in the British Museum

    T. Richard Blurton

    págs. 38-42

    

  • Gilded dragons: buried treasures from China's golden Ages

    Carol Michaelson

    págs. 43-46

    

  • The British tempera revival: the Pre-Raphaelites and the link with America

    Abbie Sprague

    págs. 47-52

    
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  Año 1999, Número 454

  • Exhibition of the year 'The Triumph of the Baroque': Architecture in Europe 1600-1750'

    págs. 3-9

    

  • Acquisition of the year : 'Potsdamer Platz' by Ernst Ludwig Kirchner at the Neue Nationalgalerie, Berlin

    Jill LLoys

    págs. 10-11

    

  • The Mellon Gift to the National Gallery of Art, Washington

    págs. 12-13

    

  • Abrams Dutch drawings given to the Fogg Art Museum, Cambridge, Mass

    William R. Robinson

    págs. 14-16

    

  • A selection of 1999 museum acquisitions

    págs. 17-48