El té literario de Dorio de Gádex: plagio para un homenaje a Oscar Wilde
págs. 3-10
Beware of the sorceres: perceptions of otherness in Nathaniel Hawthorne's "The scarlet letter" and Joanne Harris's "Chocolat"
págs. 11-19
"Castle Rackrent" y sus paratextos en el siglo XX: el caso alemán y francés
págs. 21-30
págs. 31-41
Poetas irlandesas y gallegas contemporáneas: encuentros y desencuentros : [mesa redonda]
Manuela Palacios González (coord.), Laura María Lojo Rodríguez, Luz Mar González Arias, María Xesús Nogueira Pereira, María Xesús Lama López
págs. 43-52
págs. 55-63
"Ut musica poesis": an approach to the dialogue between literature and music
págs. 65-73
págs. 75-82
Dark/masculine - light/feminine: how Charles Rennie Mackintosh and Margaret MacDonald changed Glasgow School of Art
págs. 85-91
Performing identities in Scotland: Liz Lochhead's "Mary Queen of Scots got her head chopped off"
págs. 93-100
Interdisciplinary approaches to cultural studies: methods and challenges [mesa redonda]
Chantal Cornut-Gentille D'Arcy, Eduardo de Gregorio Godeo, José Manuel Estévez-Saá
págs. 101-111
Recordando a mujeres relevantes de la historia y cultura escocesas: [mesa redonda]
Antonia Sagredo Santos, María del Rosario Piqueras Fraile, María Luz Arroyo Vázquez
págs. 113-121
The sex or the death of the author?: rethinking the relevance of "maleness" to (feminist) literature and literary criticism
págs. 125-132
To be or not to be (a man): is that the question? : men and/in feminist literary criticism
págs. 133-142
A mad knight in her attic: the reformulation of quixotism and its use in "Charlotte Lennox's "The female Quixote"
págs. 143-149
Spades, actors and fags: fiction and/as Queer Theory in Timoty Findley's "Spadework"
págs. 151-159
"Spain is not different": viajeras románticas anglosajonas en España
págs. 161-168
Mythic women in Victorian England: Cassandra and Florence Nightingale
págs. 169-179
"The feminist note in the essay": some rhetorical devices in the essays of Virginia Woolf
págs. 181-188
"Putting new wine in old bottles": Angela Carter and the renewal of literary canons : the case of "Overture and incidental music for Midsummer Night's Dream"
págs. 189-197
The (in)sides beyond male friendship-desire: alterity and minorities in Michael Radford's "Merchant of Venice" (2004)
págs. 201-207
Born in the streets: violence, gansterism and power in "Gangs of New York"
págs. 209-215
"If you can't have a friend, make one": Lucky McKee's "May" as a Revision on Mary Shelley's "Frankenstein"
págs. 217-223
Tempted by The Tempest: Derek Jarman's gay play with Shakespearean romance
págs. 225-233
págs. 237-255
The origin of dual-form adverbs: grammaticalization or lexicalization?
págs. 257-268
Who requests whom and how they do it: use of request markers in late modern English letters
págs. 269-278
Logical relations between Necessity and Possibility: evidence from Old and Middle English
págs. 279-289
págs. 291-301
págs. 303-312
The use of English negation by Spanish students of English: a learner corpus-based study
págs. 315-327
L3 English lexico-grammatical growth in at home and study abroad learning contexts
Maria Juan Garau, Joana Salazar Noguera, José Igor Prieto Arranz
págs. 329-338
págs. 339-349
Modalities of verbal mitigation in literary language: artful vs. explicit sexual euphemism
págs. 353-361
Transgressive codes in Contemporary English: an analysis of lexical creativity in the field of music
págs. 363-372
págs. 373-385
págs. 387-394
págs. 395-404
"The fellows mad, I neither understand his words, nor his": on dialect lexis in three literary renderings of seventeenth-century Lancashire speech
págs. 405-414
págs. 443-450
"(B)ut how grow flowers [...] if one kept hens?": the transgressing role of bird imagery in Virginia Woolf's "The Years"
págs. 451-459
"The Stage, a skull": scenic poetry and the role of light in Martin Crimp's Fewer "Emergencies" (2005)
págs. 461-474
Pasado y presente de los estudios teatrales beckettianos en España: tradición y omisión
págs. 475-486
Queer identities in a commodified world: Mark Ravenhill's "Mother clap's Molly house" and the rise of the (new) queer family
págs. 487-495
Fact and fable: ethics and the defamiliarisation of the familiar in Martin Amis' "Time's Arrow"
págs. 497-507
Telecollaboration: synchronous oral exchanges through Skype in the classroom
págs. 511-520
págs. 521-529
Writing science, compiling science: the "Coruña Corpus of English Scientific Writing"
págs. 531-543
Improving language skills through e-learning training: an experience from the field of interpreting
págs. 545-555
Effects of phonetic training on the perception and production of /i: /-/I/ and /ae/-/^/ by Catalan/Spanish learners of English
págs. 559-571
Can late EFL learners attain nativelike pronunciation?: evidence from Catalan speakers' production of English low vowels
págs. 573-584
Of resistant mothers and women turned goddesses: Marlene Nourbese Philip's "Salmon courage"
págs. 587-598
págs. 599-607
The Pedagogy of the Sasquatch: imagining the aboriginal without feathers in Eden Robinson's "Monkey Beach"
págs. 609-617
págs. 619-626
págs. 627-636
(Post) colonial embroidery: un studio sobre la situación de los personajes en "Of customs and excise and Rachna Mara"
págs. 637-643
págs. 645-655
Minority diasporas and migration: Fray Rosendo Salvado as a pioneer of Spanish and Galician settlement in Australia [mesa redonda]
págs. 657-663
Is there a koiné in narrating diasporic experiences of "Indianness"?: [mesa redonda]
Felicity Hand, Antonia Navarro Tejero, Maurice O'Connor, Juan Ignacio Oliva Cruz
pág. 665
From transparency to opacity: "surely", intersubjectivity and English cultural norms
págs. 677-687
págs. 689-697
págs. 699-709
págs. 713-721
"Thought words Words inane Thought inane": Samuel Beckett's critique of language in his four "Novellas"
págs. 723-731
The doing of telling on the Irish stage: an introduction and two samples of modern and contemporary story-telling performativity
págs. 733-743
págs. 745-756
Edgar y Chicho: la pasión por Poe en "Historias para no dormir"
págs. 757-764
Modernist (hi)stories: [mesa redonda]
Esther Sánchez-Pardo, Jorge Sacido Romero, María Pilar Sánchez Calle, Laura María Lojo Rodríguez
págs. 765-774
Gender and genre issues in short stories written by women: [mesa redonda]
María Jesús Lorenzo Modia, Margarita Estévez Saá, María Losada Friend, José Manuel Estévez-Saá
págs. 775-789
El cronotopo en el cuento romántico: [mesa redonda]
Santiago Rodríguez Guerrero-Strachan, Beatriz González Moreno, José Ramón Ibáñez Ibáñez
págs. 791-795
págs. 799-805
págs. 807-814
What does left dislocation syntactically comprise?: evidence from late modern English
págs. 815-825
English progressives translated into Spanish: corpus-based functional equivalents
págs. 829-845
págs. 849-858
págs. 859-868
"With the world in my bloodstream": Thomas Merton's wisdom of love
págs. 869-880
Science fiction magnifying mirrors: Octavia Butler's "Dawn" and the ethics of genetic manipulation
págs. 881-888
Ecofeminism: essentialism, shared experience or quintessential environmentalism? [mesa redonda]
Carmen Flys Junquera, Margarita Carretero González, Diana Villanueva Romero, Imelda Martín Junquera, Irene Sanz Alonso
págs. 889-898
Representing trauma in American women's Lliterature: [mesa redonda]
Marta Bosch, Mercè Cuenca, Mónica Miravet, María Isabel Seguro Gómez
págs. 899-907
Non-finality effects in middle English stress: regularisation or emerging grammar?
Nila Vázquez, Juan Antonio Cutillas Espinosa, Juan Manuel Hernández Campoy
págs. 911-922
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